Battie Page was the undisputed Queen of the Glamour Girls, the precursors of Playboy Playmates and Penthouse Pets who decorated the pages of male-appeal glam magazines in the1950s. Although it involved unpretentious shots for a news-stand public, photographers like Irving Klaw and Bunny Yeager made art out of their craft, and Bettie was their favourite - and certainly their most celebrated - subject.
Once Hollywood cottoned on to the bikinis, brazilian bikinis and high waisted bathing suits, there was no stopping it. The early 1960 saw a rash of squeaky-clean teen-oriented beach movies, largely inspired by the surfing music of Jan and Dean, the Surfaris and the Beach Boys, and usually starring Annette Funicello. The brazilian bikinis was now deemed safe; fun-loving college kids remped across the sands of California in such marina masterpieces as 'Bikini Beach','Beach Party' and not forgetting the marvellously-titled "How to Stuff A Wild Bikinis' Surf's up!
Vacation-wise, the 60s marked the end of one era and the start of another. In the UK, holidays in the sun would still mean wind-blown British seaside resorts for most people, though mass migrations of sun searchers to Spain, Greece and further abroad were just around the corner. But in the Swinging' decade the bikini made its initial, tentative mark in the cosier- though chillingly inappropriate - climes of Blackpool, Brighton and the Butlin chain of holiday camps.
British 'end of the pier' humour, full of nudge--nudge and the double entendre, was bound to make the most of the bikini's possibilities, be it in traditional seaside postcards or the long line of 'Carry on' films which provided belly laughs of the boob-and-bottom variety for over 30 years.
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