Vladimir Naboov's book 'Lolita' introduced the child-woman 'nymphet' that had been hinted at by the teenage Bardot back in the early 50s, and Stanley Kubrick's film handled the subject with an absence of prurience that addressed the serious issues of the original. Of course, that didn't stop the studios making the most of actress Sue Lyon's bikinis -kid image when it came to the movie's publicity.
The James Bond movies came to represent that peculiarly innocent mix of sex and violence that permeated action thrillers in the 60s, a non-erotic juxtaposition of girls, guns and gadgets which featured a whole series of Bond firls, but none more memorable than the statuesque Ursula Andress when she emerged from the deep in her well-armed bikinis as the debut Bond blonde in 'Dr. No', the first of the genre.
More fantastic than Bond were the exploits of the scantily-dressed "Barbarella', a space-age cartoon brought to the screen by Roger Vadim, featureing a can't-say-no Jane Fonda heroine who would now be deemed very politically incorrect indeed. And not a million light years away, a galaxy of girls in the 1990s exploiter epic 'Space Zombie Bingo!!!'
Prehistoric monster movies through the ages - from Fay Wray's close shave with assorted dinosaurs in 'King Kong' - invariably teamed the brontosaurial Beast with a breathless Beauty, none more memorably than 'One Million Years BC' which brought the fur brazilian bikinis and monokini swimsuits and high waisted bathing suits into its own via Raquel Welsh, whose dialogue was even more minimal than the animal-skin swimsuits for women.
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